31th of August – 3th of November 2024
I only work with lost and found
Exhibition
Kunstraum Kreuzberg, Berlin
August 2024
Scratch the ground and you’ll find a little more sky
Catalogue
September 2024
Making worlds
Workshop/Talk
Stiftung Künstlerdorf Schöppingen
August – September 2024
Residency
Stiftung Künstlerdorf Schöppingen
10th of July 2024
Der Turm stĂĽrzt ein
Performance (collective project)
Keine Angst! Klassenkämpf?!
Theater X, Festiwalla, VolksbĂĽhne Berlin, Berlin
8th of June 2024
Der Turm stĂĽrzt ein
Performance (collective project)
Recht auf Stadt Forum, Dragona Arsenal, Berlin
24th of May – 22th of June 2024
Deep Shore
Exhibition
Haunt/Frontviews, Berlin
October 2023
Der Turm stĂĽrzt ein
Performance (collective project)
Wahrschauer BrĂĽcke, Berlin
November 2023 – February 2024
Enter_Nature
Exhibition
Galerie am Körnerpark, Berlin
August 2022
Weaving Waves
Collective Weaving (Traces Artist Group)
Grænseløse Festival, Ebeltoft (DNK)
June – July 2022
JubileeX
Exhibition
Haunt/Frontviews, Berlin
21th of August 2021
Wem gehört Lauratibor?
Street Opera (Lauratibor Collective)
Copenhagen Opera Festival
24 – 25th of October 2020
Infrastrukturen des Zwischenmenschlichen
Symposium
Arthur Boskamp Stiftung, Hohenlockstedt
12 – 14th of June 2020
#4 Caring, the New Alphabet School
Audio Performance (Polyphrenic Creatures)
Haus der Kulturen der Welt, Berlin
11th of May – 23th of June 2019
Bezugsstoffe
Exhibition
DOCK20/Kunstraum & Sammlung Hollenstein, Lustenau (AUT)
2 – 4th of April 2019
La Promenade du Collectioneur II
Exhibition
Le Meurice, Paris (FRA)
2 – 6th of October 2019
PAD Fairs, London (GB)
Presentation
19th of October 2018 – 12th of January 2019
Dis-/jointures
Exhibition (solo)
Galerie Gosserez, Paris (FRA)
16th of September 2017 – 26th of January 2018
Remembering the Future
Exhibition
Altana Galerie, Dresden
8 – 10th of November 2018
Pop Intratausch
Performance
Premierentage & Vorbrenner – BRUX, Innsbruck (AUT)
26th of June – 9th of July 2017
Spendatime
Performance
Caroline Profanter & Polyphrenic Creatures
Q-O2, Brussels (BEL)
10th of April – 13th of March 2017
Softsonic GG
Performance
Polyphrenic Creatures
District – Schule ohne Zentrum, Berlin
October 2016
Creatures in the Mindnets
Performance
(part of Mamaza Garden State)
Polyphrenic Creatures
Steirischer Herbst Graz, AUT
22th of February – 12th of April 2015
Ceija Stojka — Wir leben im Verborgenen
Exhibition Architecture
Heidelberger Kunstverein
Marei Loellmann works with the textile medium, addressing the relationships between land, time, and body. Her works interweave ash, sedimented traces, hand-woven or wrapped elements, and fabrics, carrying the imprint of their social and ecological environments. Materials act as co-creators; remembering, recording, and unfolding non-linear narratives; while also appearing as a fragmented, living archive. Through time-based craft techniques and site-specific engagement, she develops performative processes in which body, matter, and site are in perpetual renegotiation of proximity and resonance, stillness and movement, ephemerality and duration. The textile becomes a material manifestation and metaphorical container, while loose threads form shifting social fabrics whose permanence, elasticity, and mutability are tested continuously.
Alongside her independent practice, she has been active in various collectives, including Turm Collective (2023–2024), Lauratibor (2021–2022), the duo Polyphrenic Creatures (2013–2020) and artist group traces (2022–2024).
Marei Loellmann lives and works in Berlin. She studied Fashion Design as well as Costume and Set Design at the Weißensee Academy of Art in Berlin and the Willem de Kooning Academy in Rotterdam. Her practice spans diverse formats and contexts, both as a solo artist and within collectives, and has been presented at Brücke Museum Berlin, Kunstraum Kreuzberg, Haunt Berlin, Volksbühne, Galerie im Körnerpark, Copenhagen Opera Festival, Haus der Kulturen der Welt Berlin, Galerie Gosserez Paris, PAD London, and Heidelberger Kunstverein, among others. She has received numerous awards and fellowships, including the Research and Working Grant for Visual Artists from the Berlin Senate (2024), scholarships from Stiftung Kunstfonds (2023/2022), the GVL Foundation (2022), the Elsa Neumann Scholarship of the State of Berlin (2014), and the Mart Stam Art Prize (2012). In 2024, she was a fellow at Stiftung Künstlerdorf Schöppingen and the Goldrausch Project for women* artists.
Contact
Studio: Flutgraben e.V., Berlin
mail(at)mareiloellmann(dot)com
please email for CV.
Marei Loellmann works with the textile medium, addressing the relationships between land, time, and body. Her works interweave ash, sedimented traces, cement, hand-woven elements, and fabric, carrying the imprint of their social and ecological environments. Materials act as co-creators; remembering, recording, and unfolding non-linear narratives; while also appearing as a fragmented, living archive. Through time-based craft techniques and site-specific engagement, she develops performative processes in which body, matter, and site are in perpetual renegotiation of proximity and resonance, stillness and movement, ephemerality and duration. The textile becomes a material manifestation and metaphorical container, while loose threads form shifting social fabrics whose permanence, elasticity, and mutability are tested continuously.
Alongside her independent practice, she has been active in various collectives, including Turm Collective (2024–), Lauratibor (2021–2022), the duo Polyphrenic Creatures (2013–2020) and artist group traces (2022–2024).
Marei Loellmann lives and works in Berlin. She studied Fashion Design as well as Costume and Set Design at the Weißensee Kunsthochschule Berlin and the Willem de Kooning Academy in Rotterdam. Her practice spans diverse formats and contexts, both as a solo artist and within collectives, and has been presented at Brücke Museum Berlin, Kunstraum Kreuzberg, Haunt Berlin, Volksbühne, Galerie im Körnerpark, Copenhagen Opera Festival, Haus der Kulturen der Welt Berlin, Galerie Gosserez Paris, PAD London, and Heidelberger Kunstverein, among others. She has received numerous awards and fellowships, including the Research and Working Grant for Visual Artists from the Berlin Senate (2024), scholarships from Stiftung Kunstfonds (2023/2022), the GVL Foundation (2022), the Elsa Neumann Scholarship of the State of Berlin (2014), and the Mart Stam Art Prize (2012). In 2024, she was a fellow at Stiftung Künstlerdorf Schöppingen and the Goldrausch Project for women* artists.